6/1/2023 0 Comments Kromatik harmoniThe chromatic harmonica can thus be contrasted with a standard harmonica, which can play only the notes in a given musical key.įamously accomplished chromatic harmonica players include classical players Larry Adler, Tommy Reilly, Antonio Serrano, Sigmund Groven, and Willi Burger, jazz players Toots Thielemans, Mathias Heise, Gregoire Maret, Yvonnick Prene, Hendrik Meurkens, and William Galison, and popular musicians Norton Buffalo and Stevie Wonder.Ĭhromatic harmonicas are usually 12, 14 or 16 holes long. Thus, the instrument is capable of playing the 12 notes of the Western chromatic scale. When the button is not pressed, an altered diatonic major scale of the key of the harmonica is available, while depressing the button accesses the same scale a semitone higher in each hole. The chromatic harmonica is a type of harmonica that uses a button-activated sliding bar to redirect air from the hole in the mouthpiece to the selected reed-plate desired. One author describes their use within phrases as, "surprising," even more so than the deceptive cadence, in part due to their rarity and in part due to their chromaticism (they come from 'outside' the key), while another says they are so rare that one should first eliminate the possibility that one is looking at a diatonic movement (presumably, borrowing), then make sure that it is not a secondary chord, and then, "finally," one may consider, "the likeliness of an actual chromatic mediant relationship.Hohner Super-Chromonica harmonica, a typical 12-hole chromatic ![]() Ĭhromatic mediant chords were rarely used during the baroque and classical periods, though the chromatic mediant relationship was occasionally found between sections, but the chords and relationships became much more common during the romantic period and became even more prominent in post-romantic and impressionistic music. Note ♭VI in root position (over the tonic pedal) and the repeated return to I (D ♭ and F, respectively), characteristic of chromatic mediant root movement. When a conservative chromatic mediant relationship involves seventh chords, ".the triad portions of the chords are both major or both minor." This pertains to the more permissive definition of chromatic mediant relationships as well.Ĭhromatic mediant from Tchaikovsky's Chant sans paroles, Op. ![]() Thus, by this more permissive definition, C major has six chromatic mediants: E major, A major, E ♭ major, A ♭ major, E ♭ minor and A ♭ minor. Other less conservative theorists, such as Benward and Saker, include these additional chords of opposite quality and no shared tones in their default definition of chromatic mediants. However, he describes an even more distant "doubly-chromatic mediant" relationship shared by two chords of the opposite mode, with roots a third apart and no common tones for example C major and E ♭ or A ♭ minor, and A minor and C ♯ or F ♯ major. Theorists such as Allen Forte define chromatic mediants conservatively, only allowing chromatic mediant chords of the same quality (major or minor) as described above. There is not complete agreement on the definition of chromatic mediant relationships. ![]() Thus, by this conservative definition, C major has four chromatic mediants: E major, A major, E ♭ major, and A ♭ major. ![]() The mediants of the parallel minor of C major (C minor) are E ♭ major and A ♭ major. Their parallel majors are E major and A major. For example, in the key of C major the diatonic mediant and submediant are E minor and A minor respectively. In music, chromatic mediants are "altered mediant and submediant chords." A chromatic mediant relationship defined conservatively is a relationship between two sections and/or chords whose roots are related by a major third or minor third, and contain one common tone (thereby sharing the same quality, i.e. Problems playing these files? See media help.
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